Cinematic reenactments, historical reconstruction and visual production for television, film and commercials - built on more than 20 years of producing, directing, editing and running post teams.
I can join an existing production for individual scenes, complete visual packages or ongoing series work, from the initial brief through editorial and delivery.
20+ YEARS IN TELEVISION · HUNDREDS OF HOURS DELIVERED · EMMY-WINNING PROGRAMMING · NETWORK + STREAMING EXPERIENCE · PRODUCTION THROUGH POST · SCALABLE PRODUCTION TEAMS
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A seven-part investigative series using historically grounded reconstruction designed to feel like footage that could have been captured at the time.
A cinematic historical series using period-authentic reconstruction to bring major events, locations and everyday life of the Civil War to the screen.
A historical factual series tracing how food shaped trade, culture and civilization through cinematic reconstruction and visual storytelling.
An award winning feature-length investigative documentary combining traditional factual storytelling, primary-source research and extensive AI-driven visual reconstruction.
Brian Lerch is a producer, director and editor with more than 20 years in network and streaming television. His experience spans producing, directing, editing, line producing, development, post-production leadership and building workflows for complex productions.
Across hundreds of hours of broadcast and streaming television, Brian has worked with production companies including Rock Shrimp Productions, Stephen David Entertainment, Part2 Pictures and Show of Force, delivering programming for Netflix, Amazon, Hulu, HBO, Showtime, CNN, Disney, Nickelodeon and Discovery, as well as independent theatrical releases.
That experience — managing teams, solving production problems and carrying projects from development through final delivery — is the foundation of Brian Lerch Post.
AI DIDN’T TEACH BRIAN HOW TO MAKE TELEVISION. TELEVISION TAUGHT BRIAN HOW TO USE AI.
Brian Lerch Post is built to scale with the production.
Some projects are handled directly by Brian as a highly efficient one-person production unit. Larger projects can expand into teams of generative artists, editors, producers, researchers and finishing personnel working under centralized creative supervision.
One creative lead. As much production capacity as the project requires.
Creating a strong individual shot is one thing. Building footage that works inside a finished film, television episode or commercial is another.
Brian Lerch Post approaches generative production as part of the entire pipeline - story, performance, continuity, coverage, editorial, revisions, finishing and delivery.
AI can generate a shot. We build scenes.
Historical, true-crime and factual reconstruction built around the story, editorial requirements and visual language of an existing production.
Individual shots, sequences or complete visual packages developed from scripts, storyboards, reference material and creative briefs.
Scalable generative production for episodic television, from individual episodes to season-long workflows with multiple teams under centralized creative supervision.
Original factual, historical and documentary production combining research, development, editorial and generative visualization.
Editing, producing and post leadership for documentary, factual, scripted and branded projects. Brian can join an existing team, build scenes and episodes, or oversee a defined post workflow from first assembly through delivery.
Cinematic advertising, branded storytelling and campaign visuals built around client creative and delivery requirements.
Multilingual narration, graphics and adapted versions for international audiences and platforms.
Kickoff meetings, scripts, creative briefs, reference material, storyboards and shot lists. We establish the visual approach, scope, workflow and delivery requirements before production begins.
Clear communication and project management throughout production, coordinated directly with producers, post supervisors, editors and other members of your team.
Footage is organized and delivered to work directly within your editorial workflow, or Brian can work with your team to build complete scenes and sequences.
4K, 2K, HD, 16:9, 9:16, custom aspect ratios, professional frame-rate workflows, ProRes and other professional delivery formats.
Final materials are prepared and organized according to your production requirements and applicable network, platform or distributor specifications.
From kickoff through final delivery, the goal is simple: operate as part of your production team.
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